| 论董其昌画学的心学色彩 |
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| 引用本文： | 朱良志.论董其昌画学的心学色彩[J].安徽师范大学学报(人文社会科学版),1999(1). |
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| 作者姓名： | 朱良志 |
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| 作者单位： | 安徽师范大学文学院 |
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| 摘 要： | 董其昌画学兼融了禅宗和心学思想，这是那个时代思想面貌在他的绘画思想中的反映。董其昌画学和禅宗的关系受到学界的注意，但他的思想所烙上的深深心学印迹，学界却少有人论及，实际上，董其昌在心学思想的影响下建立了一套具有完整体系的画学思想
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| 关 键 词： | 心学 画学 禅宗 悟 |
New Confucianism in the Painting Theory of DONG Qi-chang |
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| ZHU Liang-zhi.New Confucianism in the Painting Theory of DONG Qi-chang[J].Journal of Anhui Normal University(Humanities and Social Sciences),1999(1). |
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| Authors: | ZHU Liang-zhi |
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| Abstract: | DONG Qi-chang's painting philosophy mixes Dhyana and New Confucianism,reflecting the features of that age.The relationship between Dhyana and his painting thought has been noted by the academic circles while the effect of New Confuciacism has been negleted.In fact,DONG Qi-chang builds a complete system of painting philosphy under the influence of New Confucianism. |
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| Keywords: | New Confucianism painting philosophy Dhyana Comprehenison |
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