| 论琉球组舞的形成 |
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| 引用本文： | 刘富琳.论琉球组舞的形成[J].福建师范大学学报(哲学社会科学版),2000(3). |
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| 作者姓名： | 刘富琳 |
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| 作者单位： | 福建师范大学艺术学院音乐系!福建福州，350007 |
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| 摘 要： | 有关琉球组舞的形成问题 ,日本音乐学界大多从日本本土的角度出发与“能”进行比较 ,认为组舞是接受了日本本土“能”的影响而形成的。本文以琉球历史发展为脉络 ,从中、琉、日三个角度对琉球组舞的形成进行了探讨 ,其中着重论述中国戏曲对琉球组舞形成的影响
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| 关 键 词： | 琉球组舞 日本艺能 中国戏曲 |
Research in the Formation of Ryukyu Kumiodori |
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| LIU Fu,lin.Research in the Formation of Ryukyu Kumiodori[J].Journal of Fujian Normal University(Philosophy and Social Sciences Edtion),2000(3). |
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| Authors: | LIU Fu lin |
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| Abstract: | Compared Ryukyu Kumiodori with Japan No, it's the popular view of musical circles in Japan that No played a key role in the creation and the development of Kumiodori. This article discusses the formation of Kumiodoli from the angle of historic relations among China, Ryukyu and Japan, especially emphasizing Traditional Chinese Opera's impact on it. |
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| Keywords: | Ryukyu Kumiodori Japan No Traditional Chinese Opera |
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