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中国现代文学的主要美感特征
引用本文:杨昌江. 中国现代文学的主要美感特征[J]. 培训与研究, 2002, 19(1): 1-4
作者姓名:杨昌江
作者单位:湖北教育学院中文系,湖北武汉430060
摘    要:中国现代学以“悲剧美感”取代传统的“优美美感”的主导地位,因为悲剧美感有利于我们民族灵魂的改造。这种悲剧美感与西方现代悲剧美感相比,虽有相通之处,更有质的不同。这种悲剧美感的主要情感是“悲凉”,这是由中国社会的变革和我们民族灵魂的变革都极其艰难造成的。除“悲凉”外,还有“悲壮”和“悲喜剧结合”也值得注意。

关 键 词:中国 现代文学 美感 悲剧
文章编号:1007-1687(2002)01-0001-04
修稿时间:2001-10-05

Aesthetic Properties of Chinese Modern Literature
Yang Changjiang. Aesthetic Properties of Chinese Modern Literature[J]. Training and Research-Journal of Hubei College of Education, 2002, 19(1): 1-4
Authors:Yang Changjiang
Affiliation:Yang Changjiang
Abstract:Since modern time, the great changes have taken place in Chinese society and Chinese cultural psychology.Therefore, the leading position of concinnous feeling in the traditional Chinese literature was replaced by tragical feeling. This change will benifit the reconstruction of Chinese ethos. Although exit similarities, there are some basic differences between the tragical feeling in modem Chinese literature and that in modem western literature. The core of tragical feeling in modern Chinese literature is desolation, which is decided by the difficulties come from both the revolution of Chinese society and reconstruction of Chinese soul. In addition, sorrowful solemnity and sorrowful derision are the two important aesthetical feelings also deserve our more attention.
Keywords:modem Chinese literature  tragical feeling  desolation  sonowful solemnity  sorrowful derision
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