| 唐代“立、坐部伎”相关问题辨析 |
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| 引用本文： | 穆渭生,张维慎. 唐代“立、坐部伎”相关问题辨析[J]. 陕西师范大学学报(哲学社会科学版), 2010, 0(1) |
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| 作者姓名： | 穆渭生 张维慎 |
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| 作者单位： | 陕西教育学院;陕西历史博物馆; |
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| 摘 要： | 唐史文献中有关立、坐部伎14部曲目及其内容的记载,或详或略,大致相同,但对立、坐部伎的始置时间,却无确切表述。晚近学者研究考索之观点,也不尽相同。运用历史个案与时代背景综合考察的思维逻辑和历史学的内证方法,从认识宏观历史演变的基本面貌和理清具体史实的时间环节入手,排比史料,经过分析论证,结论是自贞观十四年起,立、坐部伎的曲目已各有4部,具备了设置乐部的基本条件。
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| 关 键 词： | 唐代立部伎 唐代坐部伎 演奏方式 乐部 |
A Discriminative Analysis of Several Relevant Points to the Standing and Sitting Court Musicians in the Tang Dynasty |
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| MU Wei-sheng,ZHANG Wei-shen. A Discriminative Analysis of Several Relevant Points to the Standing and Sitting Court Musicians in the Tang Dynasty[J]. Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition), 2010, 0(1) |
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| Authors: | MU Wei-sheng ZHANG Wei-shen |
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| Affiliation: | MU Wei-sheng,ZHANG Wei-shen(Shaanxi Pedagogy Institute,Xi'an 710061,Shaanxi,Shaanxi Historical Museum,Shaanxi) |
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| Abstract: | Recorded in different historical documents in the Tang Dynasty were the 14 melodies and their contents for the Standing and Sitting Court Musicians.All the records were basically identical though some were detailed,but others elliptical.However,no records revealed the accurate date when the Standing and Sitting Court Musicians were established.This paper investigated historical cases under a comprehensive historical background by means of historical internal evidence and examined historical materials to rec... |
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| Keywords: | the Sitting Court Musicians of the Tang Dynasty the Standing Court Musicians of the Tang Dynasty manner of performance imperial music department the date of establishment |
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