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论“九叶”诗派与中国现代主义诗潮
引用本文:祝晓耘.论“九叶”诗派与中国现代主义诗潮[J].青海师范大学学报(哲学社会科学版),2003(4):68-73.
作者姓名:祝晓耘
作者单位:青海民族学院,中文系,青海,西宁,810007
摘    要:中国现代主义诗潮在“移植”和“创造性转化”的过程中出现了各自独立,又互相影响渗透,有着一定的历史继承性、延续性的三个重要的诗歌流派,即初期象征派、现代派与“九叶”诗派。“九叶”诗派自觉而执地追求艺术与现实、时代与自我、知性与感性以及中外诗艺的交融等方面平衡,使诗的思想和艺术方法都发生了深刻而显的变化,达到了现实主义精神与现代派艺术方法结合,使中国现代主义诗歌由此兴起到发展直至臻于成熟。

关 键 词:“九叶”诗派  现代主义  象征主义  交融  平衡
文章编号:1000-5102(2003)04-0068-06
修稿时间:2003年4月28日

On the Poetic School"Jiuye"and the Poetic Trend of Chinese Modernism
ZHU Xiao - yun.On the Poetic School"Jiuye"and the Poetic Trend of Chinese Modernism[J].Journal of Qinghai Normal University(Philosophy and Social Sciences Edition),2003(4):68-73.
Authors:ZHU Xiao - yun
Abstract:In the process of the transplant and creative transformation of poetic trend of Chinese modernism, three importamt poetic -ochools have come into being. They are the symbolism, modermism, and Jiuye, which are independent respectively. They have certain historic inheritance and continuity. The school Jiuye is seeking instinctively and firmly the balance between the art & the reality , the epoch & the ego, the perceptiveness and sensitivity, and the blend of poetic art both home and abroad. Therefore , an eminent and profound changes have taken place in its thoughts and styles of the poetry of Chinese modernism has sprung up, developed and corne into maturity.
Keywords:poetic school "Jiuye"  modernism  blend  balance  
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