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论原始艺术的"线"性特征
引用本文:陈龙海.论原始艺术的"线"性特征[J].华中师范大学学报(人文社会科学版),2002,41(3):120-126.
作者姓名:陈龙海
作者单位:华中师范大学,文学院,湖北,武汉,430079
摘    要:本文论述了原始思维具有的线性特征及其对原始艺术的“线”性表现形式的影响。原始艺术的线性形式特征包括两方面的含义:由秩序感支配下的线笥结构形式;以线条为基本的造型手段。本文从三方面对此进行了论证:一、以秩序感为基础,在相似律支配下的线性排列组合。二、以复制轮廓对象为目的的线的艺术产生的必然性。三、技术与生产工具对线的艺术产生的作用。本文还简略考察了线的艺术对后世成熟艺术的影响。

关 键 词:原始思维  原始艺术  线性特征
文章编号:1000-2456(2002)03-0120-07
修稿时间:2001年9月8日

The Linear Features of Primitive Art
CHEN Long-hai.The Linear Features of Primitive Art[J].Journal of Central China Normal University(Humanities and Social Sciences),2002,41(3):120-126.
Authors:CHEN Long-hai
Abstract:This thesis expounds the linear features of primitive thinking and the impact they have had upon the formal presentation of primitive art by means of lines. The linear features of primitive art entail two things, namely, the linear structure guided by sense of order and the line-based presentation methods. Then it expounds from the following three perspectives: first, the linear permutations and combinations based on sense of order and guided by the rule of similarity; second, the necessary production of line art of which the purpose is to simulate the contour of the object; third, the effect that technology and tool of production have upon the production of line art. The thesis also briefly investigates the impact that line art has had upon later mature art.
Keywords:primitive thinking  primitive art  linear features  
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