首页 | 本学科首页   官方微博 | 高级检索  
     检索      

论魏晋书法与艺术的自觉
引用本文:朱露露.论魏晋书法与艺术的自觉[J].内江师范学院学报,2013(11):154-158.
作者姓名:朱露露
作者单位:安徽师范大学文学院,安徽芜湖241000
摘    要:魏晋时期的书法在中国书法史上有着举足轻重的地位.魏晋书法以其特有的线条韵律和布局之中的圆润和谐形成了中国书法史上的第一个创作高峰,也奠定了书法“尚韵”的传统.在多样化的思想文化交融的背景下,魏晋时期的众多书家也分别有自己鲜明的艺术创作主张,书法的审美性突出,书法逐渐走向自觉期,成为独立的艺术门类.

关 键 词:魏晋书法  书论  艺术的自觉

On Consciousness of Calligraphy and Arts in Wei and Jin Periods
ZHU Lu-lu.On Consciousness of Calligraphy and Arts in Wei and Jin Periods[J].Journal of Neijiang Teachers College,2013(11):154-158.
Authors:ZHU Lu-lu
Institution:ZHU Lu-lu (School of Literature, Anhui Normal University, Wuhu, Anhui, 241000, China)
Abstract:The calligraphy in Wei and Jin periods has played an important role in calligraphic history of China. The calligraphic works in these periods were unique in their smooth and harmonious design. Consequently, the two periods witnessed the first tide of Chinese calligraphy. At the same time the tradition of rhyme orientation was established. Under the back- ground of amalgamation of various thoughts and cultures, the calligraphers expressed their striking views concerning the artistic creation. And the aesthetics of calligraphy was highlighted. Since then such art has stepped onto self consciousness and become an independent subject.
Keywords:calligraphy in Wei and Jin periods  calligraphic theories  artistic consciousness
本文献已被 维普 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号