本体性存在的还原——文学节奏再阐释

以往的文学理论囿于内容和形式二元论视角,把文学节奏作为诗歌或抒情性作品的形式要素之一,将其归属于语言美中的声律层面。认为节奏要为意义服务,节奏是梢枝末节之事,是从属于内容的形式部分。对文学节奏的历史生成和审美内涵进行思考,节奏是文学多层次的整体性建构,是声景情三位一体的本文现实存在方式,以期还原节奏的本体性地位。

Restore the Existing Noumenon --The Re-interpretation of the Literary Rhythm

Literary theory was constrained by content and form in the past. Literary rhythm was just one of the formal elements of poetry or lyric works. It belonged to the term of sound in the beautification of the language. It is considered as the least important matter to serve for the meaning as formal part of content. This thesis re-interprets the literary rhythm and ponders the history and aesthetic connotation of rhythm. The thesis puts forward that literature is a comprehensive construction containing multilevel, as well as the actual existence of sound, scenery and emotion, and aims to return to the original condition of rhythm.