论李渔戏剧接受与创作理论的辩证思考

接受美学或接受理论是一种将文学研究的视角放在读者一极的文学理论。李渔的戏剧理论作品《闲情偶寄》表现出明显的“观众本位”思想，对戏剧创作者提出了以观众的需要为创作前提、以观众的喜好为审美标准的全新要求，因为他明确认识到观众早已以主动接受的姿态为作家、作品建立了创作标准，作家、作品应当服从于这个标准才能够最大程度地得到观众的认可。同时作家也要积极引导观众的审美水平不断提高，这样便能够在作者与观众间建立起良性循环。李渔所追求的“观众本位”或“观听成宜”，就是通过将接受理论与创作理论相结合的做法得以实现的。

Dialectical Thinking on Li Yu' s Reception and Creation Theories

The Reception Theory is a literary theory which put the perspective of literary studies on the side of readers.Li Yu’s drama theory works Random Emotions shows a distinct audience-based idea which requires authors to think about audiences’needs and preferences before writing.Li Yu realizes that the audiences have set up a standard of creation for the authors.The authors should submit to the standard in order to be recognized furthest by the audiences.Meanwhile the authors should guide actively the audience to improve their aesthetic level,so as to establish a virtuous cycle.The audience-based idea that Li Yu pursued could be achieved by the combination of reception theory and the creation theory.