| 吴祖光话剧的外来影响 |
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| 引用本文： | 郑贤军. 吴祖光话剧的外来影响[J]. 闽江学院学报, 2001, 21(4): 23-26 |
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| 作者姓名： | 郑贤军 |
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| 作者单位： | 泉州师范学院,英语系,福建,泉州,362000 |
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| 摘 要： | 吴祖光是我国著名的剧作家,他创作的剧本既植根于民族文化土壤,又有外来影响,如《风雨夜归人》中,有易卜生的《玩偶之家》,契诃夫的《三姐妹》和高尔基的《在底层》中的追求,即每个人都有自己的尊严。《捉鬼传》中剧作家不自觉地借鉴了果戈理的《钦差大臣》。最后,吴祖光又大胆地拓展了自己的审美视野和戏剧思维方式,借用西方荒诞剧的艺术手法,创作了荒诞喜剧《嫦娥奔月》。
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| 关 键 词： | 吴祖光 话剧 外来影响 |
| 文章编号： | 1009-7821(2001)04-23-04 |
| 修稿时间： | 2001-04-20 |
On Foreign Influence of WU Zu-guang''''s Plays |
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| ZHENG Xian-jun. On Foreign Influence of WU Zu-guang''''s Plays[J]. Journal of Minjiang University, 2001, 21(4): 23-26 |
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| Authors: | ZHENG Xian-jun |
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| Abstract: | WU Zu-guang is one of the most influential playwriter in China.His writings are based on national culture as well as influenced by foreign literature.For example,the readers can find the ideals of Henrik Ibsen,Anton Chekhov and Maksim Gorky in A Night Comer From Wind And Rain.In Ghosts-catching he borrows some ideas from Nikolay Gogol.Lastly,WU Zu-guang broadens his aesthetic vision and drama's mode of thinking by making use of the artistry of the absurd theatre,and produces his famous absurd comedies. |
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| Keywords: | WU Zu-guang Play Foreign influence |
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