| 分解与实验:现代艺术的核心力量 |
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| 引用本文： | 许蚌. 分解与实验:现代艺术的核心力量[J]. 安徽师范大学学报(人文社会科学版), 2004, 32(3): 329-334 |
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| 作者姓名： | 许蚌 |
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| 作者单位： | 南京财经大学,艺术设计系,江苏,南京,210003 |
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| 摘 要： | 现代艺术自19世纪末登上历史舞台,就以反传统的面貌和挑战的姿态奋力激进,不断震撼和改变着人们的视觉经验.分解与实验成为现代艺术发生发展过程中的核心力量.通过各个不同流派的艺术实践,色彩、空间、透视等绘画本体要素获得全面解放,这是对现代艺术分解与实验的有力证明.分解与实验使艺术回归到自身,色彩、线条、块面之间关系与组合具有独立意义.
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| 关 键 词： | 艺术实践 现代艺术 分解 实验 |
| 文章编号： | 1001-2435(2004)03-0329-06 |
| 修稿时间： | 2004-01-15 |
Decomposition and experimentation:Key forces of modern art |
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| XU Beng. Decomposition and experimentation:Key forces of modern art[J]. Journal of Anhui Normal University(Humanities and Social Sciences), 2004, 32(3): 329-334 |
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| Authors: | XU Beng |
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| Abstract: | Modern art, with a face of rebellion and challenge, shocked and changed the experience of vision constantly since it appeared at the end of 19th century. Decomposition and experimentation are the key forces of modern art. Through art practice of different genres, the elements of painting are liberated. This is the typical presentation of decomposition and experimentation of modern art. Decomposition and experimentation make art come back to its original elements and the relations and constitutions among colors, lines, and clumps have their independent purposes. |
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| Keywords: | art practice modern art decomposition experimentation |
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