| 论《金瓶梅》用轿习俗及其文化内涵 |
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| 引用本文： | 赵菲菲. 论《金瓶梅》用轿习俗及其文化内涵[J]. 襄樊职业技术学院学报, 2012, 11(2): 78-80 |
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| 作者姓名： | 赵菲菲 |
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| 作者单位： | 曲阜师范大学文学院,山东曲阜,273165 |
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| 摘 要： | 产生于明代中后期的《金瓶梅》中有大量关于用轿习俗的描写。小说中上至达官显贵,下到市井小民,出行无一不乘轿,但乘坐的轿子有所不同,这反映出封建等级贵贱的差别。
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| 关 键 词： | 《金瓶梅》 用轿习俗 文化内涵 |
On the Custom and Culture of Taking Sedan Chair in Jin Ping Mei |
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| ZHAO Fei-fei. On the Custom and Culture of Taking Sedan Chair in Jin Ping Mei[J]. Journal of Xiangfan Vocational and Technical College, 2012, 11(2): 78-80 |
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| Authors: | ZHAO Fei-fei |
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| Affiliation: | ZHAO Fei-fei (School of Literature,Qufu Normal University,Qufu Shan dong 273165,China) |
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| Abstract: | Jin Ping Mei,produced in the mid-late Ming Dynasty,has a lot of descriptions on customs of sedan chair.In the novel from the dignitaries down to the common people,all of them went out to travel by taking sedan chair,but the sedan chair shapes vary.This difference reflected the feudal rank high or low, |
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| Keywords: | Jin Ping Mei customs of sedan chair cultural connotation |
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