| 解读作品:读者之维度——接受美学对古代文学作品阅读的启示 |
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| 引用本文： | 杜艳红.解读作品:读者之维度——接受美学对古代文学作品阅读的启示[J].宜宾学院学报,2007,7(1):13-15. |
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| 作者姓名： | 杜艳红 |
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| 作者单位： | 浙江师范大学,人文学院,浙江,金华,321004 |
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| 摘 要： | 接受美学自20世纪60年代在德国兴起,一经问世就激起了巨大的理论反响。它的读者中心论不仅对创作产生了影响,对阅读古代文学作品也不无启示作用。本文认为从读者这一维度出发,能避免古代文学争论中使众多说法趋于一致的企图,并从伊瑟尔的意义空白论和姚斯的期待视野理论两方面出发,探析了同一问题不同理解的可能性与必然性,同时为读者提供几种合理的阅读方式。
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| 关 键 词： | 接受美学 古代文学 作品解读 接受的接受 |
| 文章编号： | 24146798 |
| 修稿时间： | 09 25 2006 12:00AM |
Works Analysis from Readers' Perspective: The Inspiration from Aesthetics of Reception When Reading Ancient Literature |
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| Authors: | DU Yan-hong |
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| Institution: | College of Humanities, Zhejiang Normal University, Jinhua 321004, China |
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| Abstract: | Aesthetics of reception arises in Germany in 1960s with a huge theoretical reverberation.Its reader-centered theory affects not only the creation,but also the reading.The article argues,in order to avoid the attempt of making kinds of statements tend to be the same,that one of the useful methods would be reading from the aspect of readers.Then it explains the possibilities and the necessities of different views towards the same question in two aspects,which are Iser's meaning-blank theory and Jauss' horizon of expectation theory.Meanwhile,it provides several rational ways for readers when reading. |
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| Keywords: | Aesthetics of Reception Ancient Literature Works Analysis Reception |
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