逻辑与历史的不平衡和统一性的对比研究——孙绍振研究兼与苏珊·朗格《情感与形式》比较

本文的研究聚集于孙绍振的新著《文学性讲演录》,着重分析其对情感逻辑、文学形式规范等问题的研究,并将之与苏珊·朗格的形式主义美学进行了细致深入的比较.虽然苏珊·朗格对艺术形式的研究达到了相当的高度与力度,但也因其形而上特质而流于空疏,而孙绍振恰恰在她无法深入之处,以其罕见的经验归纳与理论抽象能力,将原本形而上的概念与规律予以深化、细化、具体化与可操作化.而这种分区,所体现的乃是二者各自基于不同的学术传统所做的继承与超越,以及出于不同的理论目的与兴趣所进行的理论建构.

A Study on Sun Shaozhen's Theory: the Imbalance and the Unity of Logic and History——Comparing with Susan Langer's Feeling and Forms

This paper focuses on Sun Shaozhen's new works A Lecture on Literariness,deeply analyzes Sun's study on the logic of feeling and the literary formal principles,and compares it with Susan Langer's formalist aesthetics in detail. As a conclusion,we consider that Langer's study on art forms achieves a considerable height and strength,but it is a little empty because of its metaphysical character,while Sun deepens,particularizes,reifys and operationalizes the metaphysical concepts and principles which Langer cannot discuss deeply with his unusual abilities of induction and abstraction.The difference between Sun and Langer shows they both inherit and exceed each academic tradition,and construct their own theory proceeding from each theoretical aim and interest.