| 西汉乐舞的壮美之审美特征初考 |
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| 引用本文： | 向本涛. 西汉乐舞的壮美之审美特征初考[J]. 怀化学院学报, 2009, 28(7): 86-87 |
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| 作者姓名： | 向本涛 |
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| 作者单位： | 苏州科技大学音乐学院,江苏苏州,215009 |
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| 摘 要： | 多方向、多民族、多层次的文化交流融合使汉代乐舞不同于周代、春秋战国时期的宫廷乐舞的审美特征,呈现出以"荆歌楚舞"为表现形式,其中一个主要的审美特征,那就是以现实化、世俗化、感性化的审美基调表现一种阳刚、矫健、豪迈而张扬的雄壮之美。
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| 关 键 词： | 百戏 盘鼓舞 俗乐舞 雅乐舞 |
The Research of Feature of Dance Aesthetics in the Han Dynasty |
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| XIANG Ben-tao. The Research of Feature of Dance Aesthetics in the Han Dynasty[J]. Journal of Huaihua University, 2009, 28(7): 86-87 |
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| Authors: | XIANG Ben-tao |
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| Affiliation: | Music Institute;Suzhou University of science and technology;Suzhou;Jiangsu 215009 |
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| Abstract: | Multi-directional,multi-ethnic,multi-level integration of the cultural in the Han Dynasty make the aesthetic characteristics of music and dance different from the Zhou Dynasty and the Spring and Autumn Period.The manifestation of one of the main features of the aesthetic is a tone featured as real,secular,and emotional.The tone of the performance of expression is powerful,bold and the majestic beauty of publicity such as"the Song of Jin and Chu Area". |
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| Keywords: | generous performance drumming dance folk music and dance royal music and dance |
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