| 秧歌剧：被政治所改造的民间 |
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| 引用本文： | 文贵良.秧歌剧：被政治所改造的民间[J].华东师范大学学报(哲学社会科学版),2004,36(3):103-108. |
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| 作者姓名： | 文贵良 |
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| 作者单位： | 华东师范大学,中文系,上海,200062 |
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| 摘 要： | 20世纪 4 0年代延安根据地秧歌剧的改造 ,是民间被政治的改造 ,这种改造成为当时话语建构的一种具体形式。秧歌剧的改造有四个特色 :当下日常化、文化符号的意识形态化、集体化运作、民间方言和意识形态语词的相互渗透。
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| 关 键 词： | 民间 政治 秧歌剧 话语 |
| 文章编号： | 1000-5579(2004)03-0103-06 |
| 修稿时间： | 2004年3月1日 |
The Yangge Opera:Folksiness Reformed through Politics |
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| by WEN Gui-liang.The Yangge Opera:Folksiness Reformed through Politics[J].Journal of East China Normal University :Philosophy and Social Sciences Edition,2004,36(3):103-108. |
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| Authors: | by WEN Gui-liang |
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| Institution: | by WEN Gui-liang |
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| Abstract: | The yangge opera in the Yan'an base area in 1940s was reformed through politics. This was a case in which a folk art was remolded through politics. Such a reformation became a concrete form of the current discourse reconstruction. It has four characteristics: mundanity, ideologization of cultural signs, collectivizational operation, and mutual penetration of folk dialects and ideological terms. |
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| Keywords: | folk politics yangge opera discourse |
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