| 作为“新”审美形态的怪诞——评刘法民教授的怪诞美学研究 |
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| 引用本文： | 侯灵战.作为“新”审美形态的怪诞——评刘法民教授的怪诞美学研究[J].江西教育学院学报,2012,33(2):146-148,151. |
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| 作者姓名： | 侯灵战 |
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| 作者单位： | 广东女子职业技术学院旅游管理系,广东广州,511450 |
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| 摘 要： | 东西方自古以来都存在怪诞现象,但怪诞研究最早出现在西方。西方怪诞理论传入中国后出现偏差,刘法民教授的怪诞美学四书等著作给怪诞美正名,并用科学归纳法,概括出怪诞美的系列特征与本质定义,并将怪诞列为与悲剧、崇高、优美等并列的美学形态。
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| 关 键 词： | 怪诞 美学形态 美学实践 |
Comments on the “New” Grotesque Aesthetic Writing in Professor Liu Fa-min |
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| HOU Ling-zhan.Comments on the “New” Grotesque Aesthetic Writing in Professor Liu Fa-min[J].Journal of Jiangxi Institute of Education,2012,33(2):146-148,151. |
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| Authors: | HOU Ling-zhan |
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| Institution: | HOU Ling-zhan(Guangdong women’s Polytechnic College,Guangzhou 511450,China) |
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| Abstract: | East and West has long existed with the grotesque phenomenon,but the grotesque study first came from the West.A slight deviation was committed In the introduction of Western grotesque theory in China.The grotesque writings of Professor Liu Famin have fixed the errors.He summed up the characteristics of grotesque with scientific summary method,and took the grotesque as an aesthetic form of tragedy,sublime,beauty etc. |
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| Keywords: | grotesque aesthetic form aesthetic practice |
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