孙悟空是我国猿猴志怪文学的升华——哈奴曼影响“八证”驳论

在印度《罗摩衍那》成书之前我国已经有猿猴能言、慧辨、善变的志怪文学,到《罗摩衍那》定型成书的汉魏时期,猿猴志怪说法已经臻于大全。唐代已经大量创作猿猴变人的志怪小说,但多数是＂盗女＂及祸害性内容。却也有积极性的开拓,由此飞跃而升华,成为孙悟空的正面而丰富多彩的形象渊源。而帮助玄奘出国境的＂候者＂正是孙悟空的原型历史人物。猿猴志怪文学的主要艺术方法是借助谐音,达到指鹿为马的违反事理而谐趣怪异的艺术效果。孙悟空形象与整个《西游记》正是继承了这个方法。孙悟空是中国文学土生土长的形象。哈奴曼影响＂八证＂说不能成立。

Monkey King Is the Sublimation of Ape Mystic Literature in China: Refutation of the Eight Proofs of Hanuman Impact

Mystic literature about smart apes had existed in China before the writing of Ramayana in India.It grew mature in the Han and Wei Periods when Ramayana developed into a book.The Tang Dynasty witnessed the creation of a large number of works of ape mystic literature,but most are about woman pirates and the contents are harmful.They also have a positive effect on the development of such kind of literature,based on which the image of Monkey King was created.The major artistic methods of ape mystic literature are through homonymity to reach the artistic effect of violating the original.Monkey King and Journey to the West inherited this method.Monkey King is a native image of Chinese literature.The eight proofs of Hanuman impact are untenable.