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从《世界丑闻》解析博尔赫斯的“作家”身份
引用本文:李倩. 从《世界丑闻》解析博尔赫斯的“作家”身份[J]. 淮阴师范学院学报(哲学社会科学版), 2001, 23(3): 407-410
作者姓名:李倩
作者单位:淮阴师范学院,中文系,江苏,淮安,223001
摘    要:《世界丑闻》作为阿根廷当代名作博尔赫斯在小说创作领域的首部“练笔之作”,其形式上的先锋意识主要体现为博尔赫斯试图借这部小说集交融阅读经验和写作经验,并尝试重叠读和作双重身份,这样就使得这部小说集的叙述超越了地域,化、种族、时代的限制,具有世界性和共时性,而小说的叙述主体则显现出了不确定性和不断弱化的趋势。

关 键 词:《世界丑闻》 读者 作者 文学世界 文学评论 阿根廷 博尔赫斯 叙述主体 小说
文章编号:1007-8444(2001)03-0407-04
修稿时间:2000-11-15

An Interpretation of Borges'''' Identity as A Writer through World Scandal
LI Qian. An Interpretation of Borges'''' Identity as A Writer through World Scandal[J]. Journal of Huaiyin Teachers College(Social Sciences Edition), 2001, 23(3): 407-410
Authors:LI Qian
Abstract:World Scandal, a maiden work of Borges, a celebrated contemporary Argentina writer in novel writing, takes on an vanguard appearance representing his intent to interweave reading and writing experience and to overlap the identities of a reader and a writer, which endows this novel collection with universality and synchronicity beyond culture, race and time. There is a tendency of uncertainty and weakening of the importance of narrators.
Keywords:World Scandal  reader  author  literary world
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