| 说元杂剧中的"搽旦" |
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| 引用本文： | 罗家坤.说元杂剧中的"搽旦"[J].南阳师范学院学报,2005,4(8):62-66. |
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| 作者姓名： | 罗家坤 |
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| 作者单位： | 信阳职业技术学院,中文系,河南,信阳,464000 |
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| 摘 要： | 元杂剧中的搽旦是由旦角派生出来而又具备净行职能的独特角色，在丰富剧情、活跃气氛、推进戏剧冲突展开和激化的进程中不可或缺。它的出现，既是戏剧形态成熟的重要标志，也承载着金元时期多元文化碰撞交融背景下的时代风云和人情世态。
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| 关 键 词： | 搽旦 现实基础 戏剧功能 |
| 文章编号： | 1671-6132(2005)08-0062-05 |
| 收稿时间： | 05 14 2005 12:00AM |
| 修稿时间： | 2005年5月14日 |
On Chadan in the Poetic Drama of the Yuan Dynasty |
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| LUO Jia-kun.On Chadan in the Poetic Drama of the Yuan Dynasty[J].Journal of Nanyang Teachers College,2005,4(8):62-66. |
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| Authors: | LUO Jia-kun |
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| Abstract: | Chadan in the poetic drama of the Yuan Dynasty is a special character derived from Dan (actress or female character type in opera). It is indispensable for enriching the gut,flourishing the atmosphere,propelling the drama conflict, development and intensification. Its appearance was an importance mature sign of the drama shape, and it also bore the weight of wind and cloud of the age, of the human feelings and the ways of the world under the multivariate culture collision of the Jin Yuan Times |
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| Keywords: | Chadan praxis foundation drama function |
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