| 试析南音"指骨"工尺谱与唱腔之关系 |
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| 引用本文： | 张兆颖. 试析南音"指骨"工尺谱与唱腔之关系[J]. 福建师范大学学报(哲学社会科学版), 2005, 0(4): 73-76 |
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| 作者姓名： | 张兆颖 |
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| 作者单位： | 福建师范大学音乐学院,福建,福州350007 |
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| 摘 要： | 南音"指骨"工尺谱和唱腔是南音中相互区别又紧密联系的两种表现形式.工尺谱是基础,唱腔是在其基础上即兴润饰形成的.二者在节奏、旋律、反映方言字调的影响等方面体现了内在统一性和差异性.
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| 关 键 词： | " 指骨" 工尺谱 唱腔 内在统一性 差异性 |
| 文章编号： | 1000-5285(2005)04-0073-04 |
| 收稿时间： | 2005-04-12 |
| 修稿时间： | 2005-04-12 |
Analysis of the Relationship Between Nanyin "Zhigu" Gong Che Pu and a Aria |
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| ZHANG Zhao-ying. Analysis of the Relationship Between Nanyin "Zhigu" Gong Che Pu and a Aria[J]. Journal of Fujian Normal University(Philosophy and Social Sciences Edtion), 2005, 0(4): 73-76 |
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| Authors: | ZHANG Zhao-ying |
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| Abstract: | Both Gong Che Pu(also called "Zhigu") and aria are major features of Nanyin.They differentiate greatly but also in deep relationship. Based on Gong Che Pu, aria forms from improvisation. The differentiation and internal oneness can be seen in rhythm, tune, and the influence of dialect's word pronunciation. |
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| Keywords: | " Zhigu" Gong Che Pu, aria,Internal oneness,otherness |
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