| 从梁廷枏戏剧语言理论看清代中后期的戏曲审美境界 |
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| 引用本文： | 曹艳华. 从梁廷枏戏剧语言理论看清代中后期的戏曲审美境界[J]. 凯里学院学报, 2013, 31(1): 95-98 |
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| 作者姓名： | 曹艳华 |
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| 作者单位： | 定西师范高等专科学校中文系,甘肃定西,743000 |
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| 基金项目： | 2008年度甘肃省教育厅第二批科研项目"古典戏曲意境论及现代意义研究" |
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| 摘 要： | 梁廷枏是清代中后期较为重要的戏曲理论家，他的戏曲理论代表着当时戏曲理论发展水平。梁廷枏提倡戏曲语言典雅含蓄之美，追求语言的新巧自然，希望通过对语言的追求，构造情在意中、意在言外、富于韵味的审美境界，对清代中后期以意境为核心的戏曲审美境界的形成产生了较大的影响。
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| 关 键 词： | 梁廷枏 戏剧语言理论 戏曲审美境界 |
A Study of the Traditional Aesthetics in Drama from the Perspective of Liang Ting-nan' s Theory of Dramatic Language in the Mid to Late Qing Dynasty |
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| CAO Yan-hua. A Study of the Traditional Aesthetics in Drama from the Perspective of Liang Ting-nan' s Theory of Dramatic Language in the Mid to Late Qing Dynasty[J]. Journal of Southeast Guizhou National Teachers College, 2013, 31(1): 95-98 |
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| Authors: | CAO Yan-hua |
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| Affiliation: | CAO Yan-hua(Chinese Department of Dingxi Teachers College,Dingxi,Gansu,743000,China) |
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| Abstract: | Liang Ting-nan was one of the important theorists in drama in the mid and late Qing Dynas-ty. His theory represented the development of drama in his time. Liang advocated that the dramatic language should be elegant and natural, which had great influence on aesthetics in drama in the mid to late Qing dynasty. |
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| Keywords: | Liang Ting-nan theory of dramatic language aesthetics in drama |
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