| “八破画”所表现的美学思想初探 |
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| 引用本文： | 邓亚梅. “八破画”所表现的美学思想初探[J]. 内江师范学院学报, 2010, 25(7): 64-66 |
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| 作者姓名： | 邓亚梅 |
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| 作者单位： | 广西师范大学文学院,广西,桂林,541004 |
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| 摘 要： | 在中国传统绘画史中,我们很难找到对于19世纪＂八破画＂的介绍,它所反映的美学风格及所表现的美学思想很少被研究者提及。如今,当我们重新来观赏它时,映入我们眼帘的不再是一幅幅＂破画＂,作为一种几乎被遗忘的艺术,这类画所表现的美学思想值得我们进一步去探讨。
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| 关 键 词： | 八破画 残缺美 废墟情结 透视法 书画一体 |
A Probe into the Aesthetics in Bapo Painting |
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| DENG Ya-mei. A Probe into the Aesthetics in Bapo Painting[J]. Journal of Neijiang Teachers College, 2010, 25(7): 64-66 |
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| Authors: | DENG Ya-mei |
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| Affiliation: | DENG Ya-mei(School of Literature,Guangxi Normal University,Guilin,Guangxi,541004,China) |
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| Abstract: | In the history of Chinese traditional paintings,we can hardly find the introduction to Bapo painting of the 19th century.Its aesthetic style and the aesthetics have seldom been mentioned by researchers.When we appreciate them again,we find they are no longer the awkward paintings.As the art nearly forgotten,this kind of paintings expresses quite clear aesthetic thoughts which are worth being studied further. |
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| Keywords: | Bapo painting incompleteness beauty relic complex scenography combination of calligraphy and painting |
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