| 成都南朝浮雕弥勒经变与法华经变考论 |
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| 引用本文： | 赵声良.成都南朝浮雕弥勒经变与法华经变考论[J].家教指南,2001(1):34-42. |
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| 作者姓名： | 赵声良 |
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| 作者单位： | 敦煌研究院编辑部!甘肃兰州730000 |
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| 摘 要： | １９５４年四川省成都市万佛寺出土了两件南朝梁浮雕作品，对其图像国内外学者们均有研究，但未作全面的考论，定名亦不准确。笔者研究后认为其一为弥勒经变，其二为法华经变，此二经变是我国最早的佛教美术的经变画，首开经变之先河。
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| 关 键 词： | 成都 浮雕 弥勒经变 法华经变 |
| 文章编号： | 1000-4106(2001)01-0034-09 |
| 修稿时间： | 2000年11月28 |
Illustrations of Maitreya and Saddharma- pundarika in the Southern Dynasties in Chengdu |
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| Authors: | ZHAO Shengliang |
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| Abstract: | Two relief sculptures dated in the Liang Dynasty (502-557) were unearthed in the Ten Thousand Buddhas Temple in Chengdu, Sichuan Province in 1954. The sculptures have brought various scholars' attention at home and abroad. Unfortunately, the textual research and exposition were not comprehensive, and the name is yet not accuracy. This paper thinks that their contents are the illustrations of Maitreya and Saddharma -pundarika-sutra respectively. They are the earliest illustrations of Buddhist arts in China. |
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| Keywords: | illustiations of Maitreya illustrations of Saddharma-pundarika-sutra relief sculpture Chengdu |
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