| 明七子派“格调高古”的美学特征 |
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| 引用本文： | 查清华. 明七子派“格调高古”的美学特征[J]. 上海师范大学学报(哲学社会科学版), 2002, 31(4): 84-93 |
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| 作者姓名： | 查清华 |
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| 作者单位： | 上海师范大学人文学院，上海200234 |
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| 摘 要： | 明代七子派被后人称为格调派，是因为他们标榜古人作品的格调，并力倡师摹古人的格调。这种“格调”，以“高古”为特质；这种“高古”，主要表现为以下美学特征的完满融合：发乎情性，质相兼，意境浑成，气势沉雄， 声调宛亮，神韵流动。
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| 关 键 词： | 明代 七子派 格调 美学特征 格调派 诗歌 |
| 文章编号： | 1004-8634(2002)04-0084-(10) |
| 修稿时间： | 2002-04-10 |
Aesthetic Features of the Seven-Person School''''s Style in Ming Dynasty |
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| ZHA Qinghua. Aesthetic Features of the Seven-Person School''''s Style in Ming Dynasty[J]. Journal of Shanghai Normal University (Philosophy & Social Sciences Edition), 2002, 31(4): 84-93 |
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| Authors: | ZHA Qinghua |
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| Abstract: | The Seven-Person School of the Ming Dynasty is called the School of Stylists because they excessively praised, advocated and imitated the style of forefathers' works. This sort of style is characterized by classic elegance, which mainly displays the perfect fusion of the following aesthetic features: a simple and vigorous tone, compatible characteristic of literary grace and essence, unified entity of artistic conception, majestic momentum, smooth and sonorous rhyme, mobile and romantic charm. |
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| Keywords: | the Seven-Person School style aesthetic features |
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