| 清代常熟戏曲散论 |
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| 引用本文： | 翟振业.清代常熟戏曲散论[J].常熟理工学院学报,2006,20(1):109-113. |
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| 作者姓名： | 翟振业 |
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| 作者单位： | 常熟理工学院,人文社会科学系,江苏,常熟,215500 |
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| 摘 要： | 清初,常熟戏曲家表现出了强烈的民族意识,作品大都以政治、历史事件为题材,以邱园、嵇永仁为代表。清中叶,戏曲家的民族意识淡化,作品或者歌功颂德,或者宣扬封建伦理道德;随着昆曲的衰微,宫廷大戏的撰写成为这一时期的主流,以周祥钰和王廷章为代表。清代常熟在戏曲史上的重大贡献在于保存了《古今杂剧》和《六十种曲》。
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| 关 键 词： | 常熟戏曲 清初 清中叶 戏曲史 |
| 文章编号： | 1008-2794（2006）01-0109-05 |
| 收稿时间： | 2005-10-28 |
| 修稿时间： | 2005年10月28 |
On Changshu Traditional Opera in Qing Dynasty |
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| ZHAI Zhen-ye.On Changshu Traditional Opera in Qing Dynasty[J].Journal of Changshu Institute of Technology,2006,20(1):109-113. |
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| Authors: | ZHAI Zhen-ye |
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| Institution: | Humanities and Social Sciences Dept., Changshu Institute of Technology, Changshu 215500, China |
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| Abstract: | At the beginning of Qing Dynasty,Changshu playwrights represented by QIU YUAN and JI Yongren expressed their strong national consciousness in their works themes of which were politics and historic events.In the middle period of Qing Dynasty,their national consciousness was weakened and their works sang the praises of sb and advocated the feudal ethics;and with the decline of Kunqu opera,palace operas were popular,the representative authors of which were ZHOU Xiangyu and WANG Tingzhang in this period.The great contributions made by Changshu in Qing Dynasty to the history of traditional opera are Poetic Drama at All Times and Sixty Melodies. |
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| Keywords: | Changshu Traditional Opera the early years of Qing Dynasty the middle period of Qing Dynasty playwright the history of traditional opera |
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