| 清朝小说中的狐狸形象刍议 |
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| 引用本文： | 罗志祥. 清朝小说中的狐狸形象刍议[J]. 长治学院学报, 2013, 0(6): 49-51 |
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| 作者姓名： | 罗志祥 |
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| 作者单位： | 荆楚理工学院外语学院,湖北荆门448000 |
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| 摘 要： | 狐狸一直是中国古代文学中的重要动物形象，特别是封建社会晚期将狐狸故事发展到一个高峰。狐狸展示的多是一种离经叛道、离群索居的行为，这些行为又将影响到故事中的人。而人物的行为是要让作者和读者来思考和批判现实生活。清朝的三部小说，蒲松龄的《聊斋志异》，邦额的《夜谭随录》，纪昀的《阅微草堂笔记》，都展示了各种各样的狐狸形象和人狐关系。总体上狐狸是与传统文化和价值观格格不入的。这是作者们想要宣讲的道德---也就是中国传统文化核心价值观。
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| 关 键 词： | 明清 狐狸 小说 |
On Fox Image in Fictions of Qing Dynasty |
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| Luo Zhi-xiang. On Fox Image in Fictions of Qing Dynasty[J]. Journal of Changzhi University, 2013, 0(6): 49-51 |
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| Authors: | Luo Zhi-xiang |
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| Affiliation: | Luo Zhi-xiang (Foreign languages School Jingchu University of Technology, Jingmen Hubei 448000) |
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| Abstract: | Fox has been an important image in Chinese classic literature,especially on its peak in late imperial society. Fox presents the actions of betrayal and isolated which influence human character. While , human＆#39;s action is to let author and reader to think about and criticize real life. Three fictions , Liao zhai by Pu Songling,Ye tan sui lu by He Bange,Yue wei caotang biji by Ji Yun,portray various fox image、human and fox relationship. Generally, fox is incongruous with traditional culture and value. This is what the author want to express-moral, namely traditional key value. |
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| Keywords: | Ming and Qing Dynasty fox fiction |
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