| 塞尚:结构与色彩的交响 |
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| 引用本文： | 李宾. 塞尚:结构与色彩的交响[J]. 安庆师范学院学报(社会科学版), 2001, 20(2): 34-36 |
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| 作者姓名： | 李宾 |
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| 作者单位： | 滁州师范专科学校,美术系,安徽,滁州,246011 |
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| 摘 要： | 塞尚是法国十九世纪下半叶现代主义绘画艺术大师。他赞赏普桑“在自然的基础上全部重来”的理论,创立了现代主义的绘画模式,提倡用色彩表现透视,用抽象的几何图形构成画面,从而取代了焦点透视的地位。
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| 关 键 词： | 现代主主 理解 色彩 结构 自然 |
| 文章编号： | 1003-4730(2004)02-0034-03 |
| 修稿时间： | 2000-09-18 |
Paul Cezanne-Symphony of Structure and Colours |
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| LI Bin. Paul Cezanne-Symphony of Structure and Colours[J]. Journal of Anqing Teachers College(Social Science Edition), 2001, 20(2): 34-36 |
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| Authors: | LI Bin |
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| Abstract: | Paul Cezanne was a modernist French artist in the late 19th century. He proposed"complete return to naturea",created modernist style of painting,advocated to express perspective with colours,and formed the general appearance of a picture with abstract geometric figures and replaced focal perspective. |
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| Keywords: | modernist understanding colours structure nature |
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