| 晚明小品对传统散文的突破 |
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| 引用本文： | 胡海琴.晚明小品对传统散文的突破[J].承德师专学报,2008,28(1):32-34. |
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| 作者姓名： | 胡海琴 |
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| 作者单位： | 西南大学文学院 重庆400715 |
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| 摘 要： | 晚明小品是在特定社会思潮的基础上发展起来的,集中反映了晚明文人追求个性自由,追求自适生活的心态。晚明小品与传统古文有极大的不同,它在创作观念、内容题材、审美风格三方面都对传统古文实现了突破,使散文从载道的工具变为抒写性灵的自由文体,对散文的审美意蕴作了极大的开拓。
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| 关 键 词： | 晚明小品 传统散文 突破 |
| 文章编号： | 1005-1554(2008)01-0032-03 |
| 修稿时间： | 2007年10月21 |
The Breakthrough of the Short Plays in Late Ming Dynasty into the Traditional Prose |
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| HU Hai-qin.The Breakthrough of the Short Plays in Late Ming Dynasty into the Traditional Prose[J].Journal of Chengde Teachers College for Nationalities,2008,28(1):32-34. |
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| Authors: | HU Hai-qin |
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| Institution: | HU Hai-qin (College of Arts, Southwest University, Chongqing, 400715) |
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| Abstract: | The short plays in late Ming Dynasty develop on the base of certain social trend of thought,it reflects the literators' feelings in pursuing individual freedom and adapting to life.They have great differences with the traditional prose,and they have breakthroughs in creative concept,theme,aesthetic style,etc.The prose has been changed from the tool of carrying meanings into free style for expressing nature,and also,their aesthetic implications have been exploited. |
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| Keywords: | the short plays in late Ming Dynasty the traditional prose breakthrough |
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