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从穆旦到昌耀:新诗的语言质感论略
引用本文:易彬.从穆旦到昌耀:新诗的语言质感论略[J].南京师范大学文学院学报,2013(2):15-21.
作者姓名:易彬
作者单位:长沙理工大学中文系,湖南长沙,400004
摘    要:尽管穆旦和昌耀所处的历史语境与个人境遇大不相同,诗学动机也大不一致,其写作却获得了相似的诗学效果:词汇本身充满力度,诗歌语言获具一种独特的质感。但就诗学经验而言,昌耀显然已经在穆旦基础之上向前迈进了一大步。由两人的诗学经验可引申为对于"新诗"命题的思考:对以现代汉语为基本语言质地的新诗人而言,如何赋予诗歌语言以更大强度?如何创制出更加符合自己写作个性的语言?

关 键 词:新诗语言  质感  穆旦  昌耀

From Mu Dan to Chang Yao: A Brief Discussion on the Language Quality of New Poems
Yi Bin.From Mu Dan to Chang Yao: A Brief Discussion on the Language Quality of New Poems[J].Journal of Chinese Language and Culture School Nanjing Normal University,2013(2):15-21.
Authors:Yi Bin
Abstract:Despite the remarkable differences in terms of historical context, individual encountering, and their motives of poem creation, Mu Dan and Chang Yao have achieved similar poetic effect in their poem crea- tion: the powerful vocabulary in their poetic language has acquired a unique sense of quality. But in terms of poetic experience, Chang Yao has obviously taken a big step forward on the base of Mudan. Reflection can be derived from the poetic experiences of these two poets : to the new poets who use modern Chinese as the basic language texture, how to endow the poetic language with more power? How to create individualized language to fit their personal writing?
Keywords:new poetic language  sense of texture  Mu Dan  Chang Yao
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