榕树:乡土记忆和田园梦想的双重符码--对一个乡土文学文本的深层解读

乡土,是人类永远的精神家园,是作家们以“地之子”的自觉身份不知疲倦的歌吟的永恒的文学母题。黄河浪的《故乡的榕树》是乡土文学中的一朵奇葩,他以榕树为中心意象,通过对故乡闽东土地上独特的自然地理环境,乡俗民情及纯朴人性的描绘,传达出对都市文明合理性的深刻质疑,对精神返乡的强烈渴望,从而使他文本中的“乡土”成为一个具有代表性的含意丰富的文化符号。

Banyan:Dual Code of Rural Memory and Pastoral Fantasy--Deeply Unscrambling a Rural Literature Text

Countryside, the agelong spiritual homestead of human being, is an evertaking literature subject ceaselessly extolled by writers, who take"Son of Nature" as their self-conscious identity. Huang Helang's Banyan in My Hometown is a mighty work among rural literature works. He treats Banyan as the central image and tries to express the deep query to the rationality of urban civilization and the strong desire of spiritual returning to the countryside through describing the specific natural surroundings in his hometown MinDong, the rural custom and tradition and the unsophisticated human nature, thus turning the "countryside" in his text into a representative meaningful culture symbol.