| 论魏晋"气"范畴的美学蕴涵 |
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| 引用本文： | 赵建军.论魏晋"气"范畴的美学蕴涵[J].常熟理工学院学报,2005,19(1):78-82. |
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| 作者姓名： | 赵建军 |
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| 作者单位： | 常熟理工学院,人文系,江苏,常熟,215500 |
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| 摘 要： | 气是中国美学最重要的范畴之一。魏晋玄学“气”范畴具有特殊的本体论蕴涵，这种蕴涵在王弼、邦象及东晋后期张湛等的阐释中，愈来愈与人生的存在境遇和境界抉择相联结。本文认为，“气”范畴蕴涵在魏晋时期所发生的衍变。深刻展示了人生价值追求的深层次之美，它通过对人生观从执着到解脱的意趣逆转，反映了中国人在魏晋时期实现了超越生死的审美自觉。
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| 关 键 词： | 玄学美学 气 本体论 蕴涵 审美自觉 |
| 文章编号： | 1008-2794(2005)01-0078-05 |
| 修稿时间： | 2004年11月7日 |
The Esthetic Meaning of Qi Category in the Period of Wei Jin |
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| ZHAO Jian-jun.The Esthetic Meaning of Qi Category in the Period of Wei Jin[J].Journal of Changshu Institute of Technology,2005,19(1):78-82. |
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| Authors: | ZHAO Jian-jun |
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| Abstract: | The Qi is one of the most important categories in Chinese esthetics.As one of the metaphysical categories of Wei Jin,it possesses special ontological significance and is combined with the existential circumstances and choices of life in the explanations of WANG Bi,GUO Xiang and ZHANG Zhan.This paper thinks that the development of Qi category occurred in Wei Jin,deeply displays the deep meaning of life value pursut,and reflects the esthetic consciousness of self to surmount life and death. |
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| Keywords: | metaphysical aesthetics Qi ontology implication esthetic consciousness of self |
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