自我的觉醒与迷失——从莎菲到上海宝贝

1928年丁玲小说《莎菲女士的日记》的发表引起了轰动,震惊了当时整个文坛,对小说主人公莎菲的评价历年来也众说纷纭、莫衷一是。而1999年卫慧长篇小说《上海宝贝》的出版也同样对整个文坛产生冲击,掀起了一场有关“美女作家”、“身体写作”的讨论,影响至今仍绵延不绝。历史往往有着惊人的相似性。由于这两部小说均出自女作家之手且小说主人公都是女性,有论者就将二者都列入女性文学范畴进行讨论。这里就存在一个对于女性文学认识上的误区。本文试图借助女性主义视角解读文本,从写作手法、女性主体意识及写作背景等方面对小说进行分析比较,从而指出前者是一部优秀的女性文学之作,而后者是一部女性文学的伪文本。

The Ego's Awakening and Lost--From Sha Fei to Shanghai Baby

In 1928, the publishing of Ding Ling's novel Lady Sha Fei's Diary had a great influence on the whole literary world of China, and from then on, there appear all kinds of comments on the protagonist Sha Fei, but no one can decide which is right. It is not unique, but has its counterpart. Wei Hui, in 1999, published her novel Shanghai Baby and brought strong impact on literary circles, which has led an argument on " beauty writer", and "creating by body", and now the influence has kept lasting. Usually history is extremely similar. Because the two novels all come from the female writers and the main character of the novels are female, too. Someone has listed the novels into the field of female to discuss. Here there exists a misunderstanding on female literature. The article tries to read them from the aspect of feminist by analyzing and comprising the writing techniques, the female' s subject consciousness and the background of the novel and gets the conclusion of that the first work is an excellent female novel, but the later is a false one.