| 崇雅复古——明代诗人王越的创作趣尚 |
| |
| 引用本文： | 程莉萍. 崇雅复古——明代诗人王越的创作趣尚[J]. 黄山学院学报, 2008, 10(6) |
| |
| 作者姓名： | 程莉萍 |
| |
| 作者单位： | 黄山学院人事处,安徽黄山,245041 |
| |
| 基金项目： | 黄山学院科研项目"明代京幾作家研究" |
| |
| 摘 要： | 王越是明代的台阁重臣，其创作虽一定程度上受到台阁诗论与创作的影响，但他强调“浩然之气”，追求道与古人相合，并随着个人生活环境由台阁转入边塞，其诗歌创作也明显具有了向儒雅文学复归的特征。
|
| 关 键 词： | 王越 浩然之气 复古 |
Elegance and Classic Adoration The writing Orientation of Ming Dynasty's poet WangYue |
| |
| Cheng Liping. Elegance and Classic Adoration The writing Orientation of Ming Dynasty's poet WangYue[J]. Journal of Huangshan University, 2008, 10(6) |
| |
| Authors: | Cheng Liping |
| |
| Affiliation: | Cheng Liping(Personnel Department,Huangshan University,Huangshan245041,China) |
| |
| Abstract: | WangYue is a high-ranking official in Ming Dynasty,his poetic theory and creation was to some extent affected by the Tai-ge style.However,along with his emphasis of noble spirit and his personal living environment from royal court to the frontier fortressl,the characteristic of the elegant literary form were obviously presented in his poetic creation. |
| |
| Keywords: | WangYue Noble spirit Classicist School |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
