| 理性的沉静与感性的冲动——重读法国美术史中的新古典主义与浪漫主义 |
| |
| 引用本文： | 孙霁.理性的沉静与感性的冲动——重读法国美术史中的新古典主义与浪漫主义[J].渭南师范学院学报,2011,26(1):71-73. |
| |
| 作者姓名： | 孙霁 |
| |
| 作者单位： | 陕西师范大学,美术学院,西安,710062;榆林学院,艺术系,陕西,榆林,716000 |
| |
| 基金项目： | 榆林学院科研项目(10YK15) |
| |
| 摘 要： | 盛行于18世纪末和19世纪初的法国新古典主义重理性,强调共性,要求严谨规范,时代气息鲜明;兴起于19世纪初的法国浪漫主义则重感性,强调个性,追求自由,崇尚想象,挑战规则。作为艺术流派,二者相互对立,但作为创作方法,二者却都是穿上了风格外衣的思想,其风格特征总是不断地变化;而二者最大的区别在于理性的沉静和感性的冲动。
|
| 关 键 词： | 理性 感性 新古典主义 古典主义 浪漫主义 |
On Stillness of Rationality and Impulse of Sensibility——Rereading Neoclassicism and Romanism in French Art History |
| |
| SUN Ji.On Stillness of Rationality and Impulse of Sensibility——Rereading Neoclassicism and Romanism in French Art History[J].Journal of Weinan Teachers College,2011,26(1):71-73. |
| |
| Authors: | SUN Ji |
| |
| Institution: | SUN Ji1,2 (1 Academy of Fine Arts,Shaanxi Normal University,Xi'an 710062,China,2 Yulin University,Yulin 716000,China) |
| |
| Abstract: | French Neoclassicism,which was in fashion in about the end of the 18th century and the beginning of the 19th century,attaches great importance to sensibility and mutuality,meanwhile,it requires refined style with distinctive flavor of the times;while French Romanism,which sprung up at about the beginning of 19th century,emphasizes on rationality and individuality,seeks for freedom,advocates imagination and challenges rules.As artistic school,the two trends are incompatible with each other,but as artistic ap... |
| |
| Keywords: | Classicism Neoclassicism Romanism rationality sensibility |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
