| 《聊斋》悍妇妒女的性别文化解读 |
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| 引用本文： | 冀运鲁.《聊斋》悍妇妒女的性别文化解读[J].湖南科技学院学报,2008,29(7):26-28. |
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| 作者姓名： | 冀运鲁 |
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| 作者单位： | 上海大学文学院,上海,200444 |
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| 摘 要： | <:聊斋>是一部奇书,较之以往的作品有巨大进步,但由于作者的男性本位主义和性别现上的局限,在塑造爱与美的女神的同时,又将一些女性巫化与妖化.我们通过对这些被侮辱.被扭曲的形象透视到了作者于无意之间反映出的那时那刻的女性生活状态.这些被侮辱与被损害的女性在以一种扭曲的方式反抗着.尽管如此,仍然有着积极的意义.
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| 关 键 词： | 风月宝鉴 性别 悍妇妒妻 |
Another kind analyzes about Ghost stories female images |
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| JI Yun-lu.Another kind analyzes about Ghost stories female images[J].Journal of Hunan University of Science and Engineering,2008,29(7):26-28. |
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| Authors: | JI Yun-lu |
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| Institution: | JI Yun-lu (Literature Department,Qufu Normal University,Shanhai,273165,China) |
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| Abstract: | The Chinese classical novel Ghost stories created many brilliant female images with different fates and various shapes.They can be divided into two classifications:one is the kind of Godness,but because in author's masculine selfish departmentalism and sex view limitation,there are also many Female monsters who are twisted seriously. |
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| Keywords: | Ghost stories female image Godness Female monsters |
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