| 论南朝前期的风格批评模式 |
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| 引用本文： | 胡大雷.论南朝前期的风格批评模式[J].钦州学院学报,2005,20(4):21-27. |
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| 作者姓名： | 胡大雷 |
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| 作者单位： | 广西师范大学,中文系,广西,桂林,541004 |
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| 基金项目： | 广西社会科学课题(03BZW001) |
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| 摘 要： | 南朝前期盛行风格批评,风格批评模式的核心是对风格的总结与评价。《文心雕龙》的方法是“总其归途”与“见异”二者,其表述风格的语言,或为总括式,或为解析式,但都以印象式出之。其时还多探讨风格形成的原因。风格批评是在人物品藻风气影响下逐步形成的。
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| 关 键 词： | 南朝前期 风格 批评模式 |
| 文章编号： | 1008-5629(2005)04-0021-07 |
| 修稿时间： | 2005年6月26日 |
On the Mode of Style Criticism in the Early Times of Nan Dynasty |
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| FU Da-lei.On the Mode of Style Criticism in the Early Times of Nan Dynasty[J].Journal of Qinzhou University,2005,20(4):21-27. |
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| Authors: | FU Da-lei |
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| Abstract: | The style criticism in the early times of Nan Dynasty was very popular whose core just focused on thesummary and evaluation of the styles.The typical way in Carving A Dragon At The Core Of Literature was "purpose-summarizing" and "difference-seeking".The expressing of thestyle criticism was either induction or deduction.Adding to analyzing courses of the style,the style criticism had been gradually shaped upon the influences of popularity of the character tastes. |
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| Keywords: | style criticism expression character taste |
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