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从格雷玛斯到超媒介叙事性
引用本文:陈德志.从格雷玛斯到超媒介叙事性[J].乐山师范学院学报,2014(6):29-33.
作者姓名:陈德志
作者单位:南昌航空大学音乐学院,江西南昌330063
基金项目:教育部人文社会科学资助项目“音乐叙事研究”(11YJC760005);南昌航空大学科研基金项目(201115202)
摘    要:格雷玛斯从一般符号学原则出发构建的叙事生成理论具有超文学的普遍性,它揭示了超媒介叙事的两个要素:主体性与时间性。主体性是叙事的语义基础,是构建故事情节的内在动力。叙事的时间性表现为交流结构和目的论逻辑两个方面,时间性是叙事的表达形式。叙事就是主体性的时间化表达,即在叙事主体之间以目的论逻辑为原则调节安排的交流过程。

关 键 词:超媒介叙事性  主体性  时间性

From A. J. Greimas to Media-independent Narrativity
CHEN Dezhi.From A. J. Greimas to Media-independent Narrativity[J].Journal of Leshan Teachers College,2014(6):29-33.
Authors:CHEN Dezhi
Institution:CHEN Dezhi (School of Music, Nanchang Hangkong University, Nanchang Jiangxi 330063, China)
Abstract:From general semiotic principles, A. J. Greimas established a generation theory of narrative, which reveals two essential attributes of the media-independent narrativity: subjectivity and temporality. Sub- jectivity is the semantic basis of narrative, and is the intrinsic motivation for plot construction. Temporality in narrative consists of two aspects: communicative schema and teleological logic. Temporality is the expression form of narrative. Narrative in essence is the temporalized cess among narrative agents regulated by teleological logic. expression of subjectivity--a communicative process among narrative agents regulated by teleological logic.
Keywords:Media-Independent Narrativity  Subjectivity  Temporality
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