| 论彩陶艺术的萌生契机及其纹饰的神秘性 |
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| 引用本文： | 孙发成. 论彩陶艺术的萌生契机及其纹饰的神秘性[J]. 宁波广播电视大学学报, 2008, 6(4): 96-99 |
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| 作者姓名： | 孙发成 |
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| 作者单位： | 东南大学艺术学院,江苏南京,211189 |
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| 摘 要： | 彩陶艺术的萌生有其必然的条件和契机，是人类物质生产和精神生产协同演进的特殊反映。原始彩陶纹饰具有浓厚的神秘色彩，反映了史前人类的独特思维方式。特别是彩陶纹饰中的动物纹和人物纹，突出的显示出其内在的巫术实用性和功利性，虚无的神秘意义一趺成为了作品的前景，而审美的因素却退隐成了背景。
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| 关 键 词： | 彩陶 陶器 纹饰 原始思维 |
Discussions on the Initiation and Ornamental Mystery of Ancient Painted Pottery |
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| SUN Fa-cheng. Discussions on the Initiation and Ornamental Mystery of Ancient Painted Pottery[J]. Journal of Ningbo Radio & TV University, 2008, 6(4): 96-99 |
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| Authors: | SUN Fa-cheng |
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| Affiliation: | SUN Fa-cheng(School of Arts,Southeast University,Nanjing 211189,Jiangsu,China) |
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| Abstract: | Initiation of painted pottery has its inevitable condition and turning point,which is the special reflection of col-laborative evolution of material production and spiritual production.Decoration of original painted pottery possessed strong my-stical color,and reflected the unique thinking mode of prehistoric humanity,especially in animal patterns and figure patterns,which distinctly show their intrinsic witchcraft's practicality and utilitarian functions.Windy and mysterious characters become works'foregro... |
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| Keywords: | painted pottery pottery patterns original thought |
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