| 秋兰为佩 芳泽杂糅－－余德庄长篇小说创作论 |
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| 引用本文： | 易光. 秋兰为佩 芳泽杂糅－－余德庄长篇小说创作论[J]. 涪陵师范学院学报, 2002, 18(1): 36-40 |
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| 作者姓名： | 易光 |
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| 作者单位： | 涪陵师范学院,学报,重庆,408003 |
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| 摘 要： | 余德庄是新时期重庆小说创作的重要作家，他以《忧魂》、《海噬》、《太阳雨》等三部长篇小说，充分显示了自己的创作实力。忧患意识和批判精神，在三部作品中一以贯之，而作品的时空体形式却有了明显变化，表现出作者对文学传统的反思和审慎的间离，及不断超越自我的鲜明意识。将城市文化精神与地域文化特色作有机的统一和融通，是读者对余德庄新一轮创作的期待。
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| 关 键 词： | 余德庄 长篇小说 忧患意识 批判精神 时空体形式 小说创作 文化精神 |
| 修稿时间： | 2001-11-26 |
Decoration with Autumn Orchids and Mixture of Aromas-- A review of Yu Dezhuangs novels |
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| YI Guang. Decoration with Autumn Orchids and Mixture of Aromas-- A review of Yu Dezhuangs novels[J]. JOurnal of Fuling Teachers College, 2002, 18(1): 36-40 |
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| Authors: | YI Guang |
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| Abstract: | Yu Dezhuang is an important fictionist in the literature field in Chongqing. His three most famous novels, Melancholy, Devouring, and the Rain of Sun, are filled with consciousness of misery and spirit of criticism. The transformation of time and space in his novels gives expression to his reflection on the tradition of literature, cautious dependence, and sharp - cut consciousness of self - transcendence. The combination of urban cultural spirit with regional cultural characteristics is readers expectation of Yu Dezhuangs new novels |
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| Keywords: | consciousness of misery spirit of criticism forms of time and space transformation |
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