| 通俗文学和新文学的对话与交融——论《万象》的文学史意义 |
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| 引用本文： | 李相银.通俗文学和新文学的对话与交融——论《万象》的文学史意义[J].山西师大学报,2008,35(5). |
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| 作者姓名： | 李相银 |
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| 作者单位： | 淮阴师范学院中文系 |
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| 基金项目： | 江苏省社会科学规划项目，淮阴师范学院青年优秀人才计划课题 |
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| 摘 要： | 《万象》"新旧兼容"的办刊策略、"趣味"与"意义"兼顾的文学姿态,为其赢得了众多作者和读者,更重要的是它为新文学与通俗文学提供了聚合、对话的平台。这个平台的建立主要得力于前后两任编辑陈蝶衣与柯灵。编辑方针的"变"与"不变"反映出《万象》在文学理想和商业利益上的折衷与调和。
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| 关 键 词： | 《万象》 通俗文学 新文学 |
Dialogue and Harmony between Popular Literature and New Literature |
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| LI Xiang-yin.Dialogue and Harmony between Popular Literature and New Literature[J].Journal of Shanxi Teachers University,2008,35(5). |
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| Authors: | LI Xiang-yin |
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| Abstract: | The editorial strategy and the literary attitude are helpful for Wanxiang to gather many authors and to win the majority of readers.It is very important that Wanxiang provides a dialogue platform for the New Literature and the Popular Literature.From Chen Dieyi to Keling,the change and the constancy of Wanxiang's editorial strategy embody its compromise between the literary ideal and business profits. |
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| Keywords: | Wanxiang the popular literature the new literature |
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