| 解读毕加索立体主义绘画的奥秘 |
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| 引用本文： | 孙莉娜,邱紫华.解读毕加索立体主义绘画的奥秘[J].郧阳师范高等专科学校学报,2010,30(2):52-57. |
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| 作者姓名： | 孙莉娜 邱紫华 |
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| 作者单位： | 华中师范大学,美术学院,湖北,武汉,430079 |
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| 摘 要： | 巴勃罗·毕加索的绘画方法，彻底打破了自意大利文艺复兴之始的五百年来透视法则对画家的限制。他通过对东方文化的汲取，把东方绘画中的散点透视，正面律和原始思维中完整性思维和象征性思维等呈现到同一个画面时，就产生了立体主义的表现形式，从而掀起了20世纪现代主叉绘画的新篇章。
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| 关 键 词： | 毕加索 东方文化 原始思维 正面律 散点透视 |
On the Myth of Picasso's 3-dimentional Painting |
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| SUN Li-na,QIU Zi-hua.On the Myth of Picasso's 3-dimentional Painting[J].Journal of Yunyang Teachers College,2010,30(2):52-57. |
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| Authors: | SUN Li-na QIU Zi-hua |
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| Institution: | (School of Art, Huazhong Normal University, Wuhan 430079, China) |
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| Abstract: | Picasso＇s painting method had broken the limit of perspective law on painters from Italian renaissance. Hehad, through absorbing oriental culture, shown scattered perspective, front law, whole thinking and symbolic thinking of primitive thinking on the same picture to produce 3-dimentional form, which started the new era of 20th century modernist painting. |
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| Keywords: | Picasso oriental culture primitive thinking front law scattered perspective |
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