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论桂林抗战戏剧与受众接受关系
引用本文:刘小林.论桂林抗战戏剧与受众接受关系[J].南宁师范高等专科学校学报,2009,26(1):1-5.
作者姓名:刘小林
作者单位:广西师范大学,历史文化与旅游学院,广西,桂林,541004  
摘    要:当抗战戏剧以能否最大限度动员民众投入反抗日本侵略者的民族自卫战争成为衡量其自身成就的最主要标志时,大众化、民族化便成为包括戏剧在内的一切文学艺术发展的必然指向。沿着大众化、民族化道路,桂林抗战戏剧进行了有意义的探索——重视民众期待视野,从民族心理层面熔融着中华民族的意志与情感;关注大众情感反映,努力创作符合观众心理期盼的艺术作品;遵循大众审美习惯,运用民众喜闻乐见的艺术形式承载时代的召唤与期盼。

关 键 词:抗战戏剧  大众化  民族化

Relation between Guilin Anti-Japanese Drama and Audience Acceptance
Liu Xiaolin.Relation between Guilin Anti-Japanese Drama and Audience Acceptance[J].Journal of Nanning Junior Teachers College,2009,26(1):1-5.
Authors:Liu Xiaolin
Institution:History Culture and Tourism School;Guangxi Normal University;Guilin;Guangxi 541004;China
Abstract:Since popularization and nationalization are recognized as the trend of the artist development,the major sign of the success of Anti-Japanese Drama can be attached to the force impelling the people to fight in the war. With this guidance,Guilin Anti-Japanese Drama has made some exploration on the following aspects:emphasizing the people's horizon of expectation to embody the Chinese psychological elements,focusing the people's emotion to satisfy audience's expectation and following the people's aesthetic ha...
Keywords:Anti-Japanese Drama  popularization  nationalization  
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