| 南朝陈诗三体说 |
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| 引用本文： | 阮忠. 南朝陈诗三体说[J]. 黄冈师范学院学报, 2004, 24(2): 27-33 |
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| 作者姓名： | 阮忠 |
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| 作者单位： | 海南师范学院,中文系,海南,海口,571158 |
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| 摘 要： | 南朝陈代的诗歌受人关注的主要是宫体诗，它是梁代宫体诗的延续，以赏玩的笔调表现女性生活，成为陈代诗歌中的一支。然而陈代还有山水诗、边塞诗，二疏离了宫体诗的风格，前步竟陵八友山水诗的后尘，更多承袭的是谢朓山水诗中清丽的风采，并在一定程度上改变了齐、梁诗的风格；后出自以军乐为乐的风习，在对边塞生活的表现中，呈现出新的诗歌面貌，从而奠定了唐以后边塞诗的基本主题和风格。
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| 关 键 词： | 南朝 诗歌 宫体诗 山水诗 边塞诗 |
| 文章编号： | 1003-8078(2004)02-0027-07 |
| 修稿时间： | 2003-12-21 |
On the Three Styles of Chen Poems in Nan Dynasty |
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| RUAN Zhong. On the Three Styles of Chen Poems in Nan Dynasty[J]. Journal of Huanggang Normal University, 2004, 24(2): 27-33 |
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| Authors: | RUAN Zhong |
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| Abstract: | Poems that were paid most attention in Chen, Nan Dynasty, is Gong style poems. They are the continuity of Gong style poems in Liang. They represent women's life with enjoying tone of writing and become one branch of poems in Chen. Meanwhile, there were also poems of landscape and frontier fortress in Chen. These two types kept away from Gong style poems. The former followed the style of landscape poems of Jingling Eight Friends and the comeliness in Xie Tiao's poems. It also changed the style of poems in Qi, Liang in certain extent. And the latter came from the custom of enjoying army music. It showed a new poetic visage in representing the life in frontier fortress. It also established the basic topic and style of frontier poems after Tang Dynasty. |
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| Keywords: | Nan Dynasty Chen Gong style poem landscape poem frontier poem |
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