论《金瓶梅》中潘金莲三种角色的转换

潘金莲是《金瓶梅》中塑造得最成功的女性之一.婢女、妻子和侍妾是中国古代女子担当的三种重要角色,而此三种角色恰恰贯穿潘金莲的一生.婢女阶段的潘金莲形象,折射出不合理的封建婢女制度和人口买卖现实；作为妻子的潘金莲,是封建婚姻制度的殉葬品,体现了女性在封建婚姻生活中的不幸和对自主婚姻的企盼；侍妾身份的潘金莲,昭示了一夫多妻制的不合理和身为人妾的不幸.这一形象的塑造深刻反映了明代社会的世相、世情和世态.

The Discussion about the Transformation of Three Roles from Pan Jinlian in The Golden Lotus

Pan Jinlian is one of the successful women in The Golden Lotus. Three important roles for the ancient Chinese women were maidservant, wife and concubine and these three roles can be found during the whole life of Pan Jinlian. As a maidservant, the image of Pan Jinlian reflects the unreasonable feudal system of maidservant and the social reality of human trafficking. As a wife, Pan is the sacrificial object of the feudal marriage and her life shows the misery of feudal marriage and expectation for the independent marriage. As a concubine, Pan Jinlian is the representative of unreasonable polygamy and misery as a wife. The creation of Pan reflects the de- formity of Ming dynasty.