| 钢琴艺术与“思维” |
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| 引用本文： | 段小伟.钢琴艺术与“思维”[J].唐山师范学院学报,2009,31(1):121-123. |
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| 作者姓名： | 段小伟 |
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| 作者单位： | 肇庆学院音乐学院,广东肇庆,526000 |
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| 摘 要： | 钢琴演奏训练必须从“思维”开始，建立正确的演奏概念。在教学过程中，教师应对学生的情感、意志、能力等方面的品质进行全面的分析和了解，针对不同的性格特点，因人而异地实施教学。
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| 关 键 词： | 思维 声音形象 心理因素 |
Piano Art and "Thinking" |
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| DUAN Xiao-wei.Piano Art and "Thinking"[J].Journal of Tangshan Teachers College,2009,31(1):121-123. |
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| Authors: | DUAN Xiao-wei |
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| Institution: | DUAN Xiao-wei (College of Music, Guangdong Zhaoqing University, Zhaoqing Guangdong 526000, China) |
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| Abstract: | In order to help students establish the correct concept of piano performance, the training must begin from “thinking”.In the process of teaching, teachers should conduct a comprehensive analysis and understanding about students＇ feelings, will, ability and so on. Teaching also varies from person to person based on the different characteristics of the students. |
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| Keywords: | thinking sound image psychological factors |
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