| “鱼山梵呗”的源流演化及乐谱形式探原 |
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| 引用本文： | 王淑梅.“鱼山梵呗”的源流演化及乐谱形式探原[J].徐州师范大学学报(哲学社会科学版),2011,37(5):38-42. |
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| 作者姓名： | 王淑梅 |
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| 作者单位： | 徐州师范大学文学院,江苏徐州,221116 |
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| 基金项目： | 江苏省优势学科建设工程资助项目 |
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| 摘 要： | "鱼山梵呗"的源流演化及其乐谱形式一直是音乐文化史上未能解决的重要课题。刘宋间开始出现曹植仿效鱼山诵经声造制梵响之说,鱼山梵响与道教音乐互有影响。至北周时期,鱼山音乐已经成为佛教音乐的主要形式。南朝至唐代的大量资料说明,"鱼山梵呗"经历过层递式的被创造、被选择、被淘汰的演化过程。"鱼山梵呗"在此之前就已经产生了。曹植所制"鱼山梵呗"乐谱虽已不存,但从《步虚经》及《鱼山声明集》所存的曲谱均采用"声曲折"谱式来看,刘宋时期《异苑》中所说的"解音者"仿照鱼山梵音所作的"步虚声",与日本胜林院所流传"鱼山"声明音乐都是中国较古老的音乐遗留,它们作为中国较早的佛教、道教音乐形式,都曾明显受到"鱼山梵呗"的影响,从中尚可窥见"鱼山梵呗"的原始面貌。根据葛玄的生活年代,其所创的《步虚经》可确定为晋至刘宋这段时间,那么比它更早存在的"鱼山梵呗",其创制年代或可上溯到魏晋时期,这与曹植生活的年代基本一致。
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| 关 键 词： | 曹植 鱼山梵呗 源流演化 乐谱 |
Discussion on the Evaluation and Music Score of Yushan -fanbei |
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| WANG Shu-mei.Discussion on the Evaluation and Music Score of Yushan -fanbei[J].Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition),2011,37(5):38-42. |
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| Authors: | WANG Shu-mei |
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| Institution: | WANG Shu-mei(School of Chinese Studies,Xuzhou Normal University,Xuzhou 221116,China) |
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| Abstract: | Yushan-fanbei has been an important issue in the music cultural history,yet it has not been discussed.This issue probes into the evaluation and music score of yushan-fanbei.It appeared from Song in Northern Zhou,and became the main music form of Buddhism.Plenty of essays have identified that yushan-fanbei has been evaluated from the Southern Dynasty to the Tang Dynasty.Although we can't find its music score,the music scores of Buxujing and The Collection of Yushan Shengming are shenbgquzhe.From the discussi... |
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| Keywords: | yushan-fanbei evaluation music score |
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