由Aesthetic到Productive:美学范式的后现代转换

"审美化(Aesthetic)"是美学的现代范式,它试图解决的基本问题是"感性-理性"的矛盾,而这与特定时代资本尚主要在物质生产领域运作进而"物质性-精神性"还是社会文化的主要矛盾有关。随着后现代大众消费社会的形成,资本开始在艺术等精神生产领域扩张,"物质性-精神性"的矛盾似乎正在消除或者退居次要位置,精神生产"商品化"与"娱乐消遣化"高度融合所形成的"消费化"正在成为主导趋向,针对这种"消费化",后现代美学的主导范式应由"审美化(Aesthetic)"转换成"生产化(Productive)",只有完成这种后现代转换,美学才能寻求到批判后现代日趋膨胀的消费主义的恰切的价值立足点。本文试图在马克思艺术"自由时间"生产论中,探寻生产化美学的价值立足点,揭示后现代艺术生产在"自由时间"与"必要时间"、"生产性享受"与"消费性享受"相分裂中所呈现出的内在对抗性。

From Aesthetic to Productive: the Post-modernist Transfer of Aesthetic Paradigm

Aesthetic is the modern paradigm of aesthetics that attempts to solve the basic contradiction between sensibility and rationality.With the formation of post modern mass consumption society,capital began to expand in the field of spiritual production such as art.The contradiction between "material and spirit" seems to have been diminished and become secondary."Consumption" formed by "commercialized" and "recreationalized" spirit production has become the major trend.In the light of this "consumptive",the writer of this paper believes that postmodern aesthetic paradigm should be transferred from aesthetic to productive.Only with this transfer,can aesthetics find its standpoint for its value of criticizing the increasing postmodernist consumerism,and reveal the intrinsic opposability between "free time" and "necessary time",between "productive enjoyment" and "consumptive enjoyment" in postmodern art production.