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唐代美学简论
引用本文:王明居. 唐代美学简论[J]. 安徽师范大学学报(人文社会科学版), 2001, 29(3): 382-388
作者姓名:王明居
作者单位:安徽师范大学 文学院,
摘    要:有唐一代,诗人如云,智慧之光,遍照大地,形成世界美学史上不可企及的高峰。它具有哲学思想的圆融性,美学范畴的阐释性,美学理论的创造性。它以文学美学为轴心,辐射到所有艺术领域,影响深广远大。研究唐代美学,必须掏出原汁原味,以科学方法透析,从逻辑推理的高度去把握个中的人文精神(尤其是忧患意识、爱国情思)的感悟特色。

关 键 词:研究方法 美学思想 美学范畴 思想影响 唐代 美学 圆融性 阐释性 创造性 中国 美学史
文章编号:1001-2435(2001)03-0382-07
修稿时间:2001-05-08

On the aesthetics of the Tang Dynasty
WANG Ming-ju. On the aesthetics of the Tang Dynasty[J]. Journal of Anhui Normal University(Humanities and Social Sciences), 2001, 29(3): 382-388
Authors:WANG Ming-ju
Abstract:There were many poets during the Tang Dynasty, and the light of wisdom was shinning all over the country, which formed a peak which could not be reached during the world history of aesthetics. The aesthetics during the Tang Dynasty had the incorporatinon of diverse natures of the philosphical thoughts, the interpretation of the thoughts of aesthetics and the creativity of the theory of aesthetics. It regarded literary aesthetcs as the axis, and then radiated to all the aspects of the arts.Its influence was profound and lasting. Studying the aesthetics of the Tang Dynasty, we should find the original thoughts, thus the human spirits (esp. misery awareness; patritic affection and the characteristics could be found by using the scientific methods and logic and inference methods.
Keywords:the aesthetics of the Tang Dynasty  incorporation of diverse natures  interpretation  creativity  
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