| 图像化生存:规训与展演——论图像作为符号 |
| |
| 引用本文： | 曾庆香,郭磊. 图像化生存:规训与展演——论图像作为符号[J]. 国际新闻界, 2011, 0(2) |
| |
| 作者姓名： | 曾庆香 郭磊 |
| |
| 作者单位： | 中国传媒大学电视与新闻学院; |
| |
| 基金项目： | 国家社科基金项目“大众传播符号研究”(项目批准号08CXW010)和国家社科基金项目“新闻图片报道研究”(项目编号05BXW008)的阶段性成果 |
| |
| 摘 要： | 本文对人类的图像化生存进行了阐述。文章首先指出,图像化生存是文化的视觉中心主义的发展;其次指出人类的图像化生存的动因:现代图像的迹象性导致人们以图像的方式证明自己的存在;最后指出人类的图像化生存的最重要的方式是利用图像进行规训与展演。
|
| 关 键 词： | 图像化生存 迹象 规训 展演 |
Being Visual:Disciplining and Performing |
| |
| ZENG Qingxiang,GUO Lei. Being Visual:Disciplining and Performing[J]. Journal of International Communication, 2011, 0(2) |
| |
| Authors: | ZENG Qingxiang GUO Lei |
| |
| Affiliation: | ZENG Qingxiang,GUO Lei |
| |
| Abstract: | Man's being visual is described in this article.It first points out that being visual is the result of cultural ocularcentrism.Then,the reason of being picturing is explained:indications of modern images cause people to justify their existence by visualization.Finally,it indicates that the most important way of being visual is todiscipline and perform with images. |
| |
| Keywords: | Being Visual Indication Discipline Perform |
| 本文献已被 CNKI 等数据库收录！ |
